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Things Fall Apart, by Chinua Achebe
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Things Fall Apart tells two intertwining stories, both centering on Okonkwo, a “strong man” of an Ibo village in Nigeria. The first, a powerful fable of the immemorial conflict between the individual and society, traces Okonkwo’s fall from grace with the tribal world. The second, as modern as the first is ancient, concerns the clash of cultures and the destruction of Okonkwo's world with the arrival of aggressive European missionaries. These perfectly harmonized twin dramas are informed by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul.
- Sales Rank: #883 in Books
- Brand: Anchor
- Published on: 1994-09-01
- Released on: 1994-09-01
- Ingredients: Example Ingredients
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .60" w x 5.20" l, 1.50 pounds
- Binding: Paperback
- 209 pages
- Great product!
Amazon.com Review
One of Chinua Achebe's many achievements in his acclaimed first novel, Things Fall Apart, is his relentlessly unsentimental rendering of Nigerian tribal life before and after the coming of colonialism. First published in 1958, just two years before Nigeria declared independence from Great Britain, the book eschews the obvious temptation of depicting pre-colonial life as a kind of Eden. Instead, Achebe sketches a world in which violence, war, and suffering exist, but are balanced by a strong sense of tradition, ritual, and social coherence. His Ibo protagonist, Okonkwo, is a self-made man. The son of a charming ne'er-do-well, he has worked all his life to overcome his father's weakness and has arrived, finally, at great prosperity and even greater reputation among his fellows in the village of Umuofia. Okonkwo is a champion wrestler, a prosperous farmer, husband to three wives and father to several children. He is also a man who exhibits flaws well-known in Greek tragedy: Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and of weakness. It was deeper and more intimate than the fear of evil and capricious gods and of magic, the fear of the forest, and of the forces of nature, malevolent, red in tooth and claw. Okonkwo's fear was greater than these. It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father. And yet Achebe manages to make this cruel man deeply sympathetic. He is fond of his eldest daughter, and also of Ikemefuna, a young boy sent from another village as compensation for the wrongful death of a young woman from Umuofia. He even begins to feel pride in his eldest son, in whom he has too often seen his own father. Unfortunately, a series of tragic events tests the mettle of this strong man, and it is his fear of weakness that ultimately undoes him.
Achebe does not introduce the theme of colonialism until the last 50 pages or so. By then, Okonkwo has lost everything and been driven into exile. And yet, within the traditions of his culture, he still has hope of redemption. The arrival of missionaries in Umuofia, however, followed by representatives of the colonial government, completely disrupts Ibo culture, and in the chasm between old ways and new, Okonkwo is lost forever. Deceptively simple in its prose, Things Fall Apart packs a powerful punch as Achebe holds up the ruin of one proud man to stand for the destruction of an entire culture. --Alix Wilber
From Library Journal
Peter Frances James offers a superb narration of Nigerian novelist Achebe's deceptively simple 1959 masterpiece. In direct, almost fable-like prose, it depicts the rise and fall of Okonkwo, a Nigerian whose sense of manliness is more akin to that of his warrior ancestors than to that of his fellow clansmen who have converted to Christianity and are appeasing the British administrators who infiltrate their village. The tough, proud, hardworking Okonkwo is at once a quintessential old-order Nigerian and a universal character in whom sons of all races have identified the figure of their father. Achebe creates a many-sided picture of village life and a sympathetic hero. A good recording of this novel has been long overdue, and the unhurried grace and quiet dignity of James's narration make it essential for every collection.?Peter Josyph, New York
Copyright 1998 Reed Business Information, Inc.
Review
“Things Fall Apart may well be Africa's best loved novel. . . . For so many readers around the world, it is Chinua Achebe who opened up the magic casements of African fiction.”
—Kwame Anthony Appiah
“Achebe is gloriously gifted with the magic of an ebullient, generous, great talent.”
—Nadine Gordimer, The New York Times Book Review
"A vivid imagination illuminates every page. . . . This novel genuinely succeeds in penetrating tribal life from the inside."
—Times Literary Supplement
“As old as the novel is, Things Fall Apart by Professor Chinua Achebe, is one book that has captured the heart of most intellects and readers across the world. It is probably one of the books that will live forever going by the calibers of people in the world that testify to its originality. . . . Achebe’s wise and subtle story-telling cuts to the heart of these tribal people with humanity, warmth and humour.”
—Daily Independent (Nigeria)
Most helpful customer reviews
2 of 2 people found the following review helpful.
In this English professor's all-time top five
By S. Ward
One of the best books I've ever read, in my top five of all time, and I'm an English professor, so you know I've done some reading. I believe I read it in a matter of two or three hours the first time because I was desperate to know what was going to happen to Okonkwo and his kin with the invasion of European colonization. Do not be put off by what you may have heard about the violence and/or cruelty; there are a few parts where the content is a little rough, but the unflinching lack of sentimentalism - the matter-of-fact tone - makes the events tolerable. I teach a lot of folks who are older teens/early twenties, and honestly, I don't think this is a book that should be taught in high school or at the undergrad level because I think it actually helps to have some life behind you when you read it for the first time. If I knew in advance (which I never do) that I was going to have a class full of people over thirty, I would use it in a class without question. I would also say it's a must-read for men because of its powerful depictions of the conflicts between fathers, sons, and just male kinship relationships in general. Achebe also gives great insight into two strong powerful female characters, his second wife and one of his daughters, even though they have a minimal amount of page time.
2 of 2 people found the following review helpful.
A beautifully constructed song of life, tradition, and modernity
By Kenn Vance
This short novel has a distinct voice and lyrical style. This might be somewhat challenging but the messages and tones are clear, and the chapters are short, so that even flipping back to the beginning of a chapter, or to the glossary in the back, or looking up an Igbo word on your smartphone won't take you out of the flow of the story or make this book too daunting to read. The short chapter are constructed in a way to be part of the story - the way the story is told is part of the total message of the book. But whether you pick up on it subconsciously or through careful and thoughtful reading and analysis, Achebe is always pulling you in one direction so you won't get lost and the meaning is always clear.
I really appreciate how the book presents a variety of emotions and so-called "sins", such as anger, shame, pride, laziness, and even love without judgement or sentiment. The book is as much about the inner-turmoil of the main characters as the external turmoil of a scoiety bounded by tradition and harried by imperialism.
1 of 1 people found the following review helpful.
Falls Apart at the End
By Michael Haig
***SPOILER ALERT
The epigraph to _Things Fall Apart_ is a quotation from Yeats's famous poem, "The Second Coming". This is also the source of the novel's title. It is not clear how Yeats's authority applies to the novel. Perhaps it is a heavy irony: the West may prophesize the end of the Christian era, but among the Nigerian natives Christian religion merely devastates native beliefs. In this way Achebe repudiates Western spirituality wholly: faith may decline in the West, but it should never have got started in the first place in Nigeria.
Yet the ending of the novel is unsatisfying. Okonkwo's suicide seems out of character: as his friend, Obierika, explains to the white men, he has infringed the laws of his clan and is accursed. All through the novel Okonkwo is a proud man, a strong man, intensely conscious of his position among the clan. That he should so seriously violate himself socially and spiritually seems unlikely. Achebe builds him up against the emasculating influence of the church, but then he throws him away at the end, like so much carrion for Western crows to peck at. Perhaps we feel for him in his apparently utter despair, but Achebe has stressed his strength (not only is he a famous wrestler and warrior, he is also a self-made man), and it is more disappointing than moving to discover at the novel's end that all this is nothing. It is as though the Christianity deprecated in the novel somehow proves its superiority: not only does Okonkwo do what Judas Iscariot did, he is also cursed by his own spiritual beliefs.
Okonkwo is not much of a hero really. He routinely beats his family when they act contrary to his inclinations, he takes part in ritualistic murder. His regret for the passing away of the warrior code strikes one as a typical twentieth-century regret, like Eliot's "[i]f you came at night like a broken king" or Lawrence's disaffection with Sir Clifford: "'Worthy men are no more,' Okonkwo sighed as he remembered those days". Achebe mounts in effect a double-pronged attack: against the Christian invasion, and, by casting Okonkwo away, against the native religion. The reader is left at the end with nothing: neither with an effective critique of Christianity as propogated by the West, nor with an affirmation of native religion. It seems that the reader must make do with the violence that actually takes place, the District Commissioner, planning his book on the subject, having the last word.
_Things Fall Apart_ is quite well-written. It brings the African villagers vividly to life. But we are not privileged to see a final show-down between native belief and the invading Christianity, which might have given us more in the way of truth and enlightenment.
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